“O Come, angel band,
Come and around me stand;
Bear me away on your snow white wings,
To my eternal home;
Bear me away on your snow white wings,
To my eternal home.”
By Pearl D. Jones, sung by Stanley Bros. & others
This is a bluegrass tune that sings itself. The harmony
is right there, waiting to be called upon, inviting us to throw our heads back
and sing, trusting the notes because they are built into the structure of the
multiverse, built into our histories, like our tonsils and our teeth. This harmony
emerges from Nothing to draw us, free-floating space junk with no origin and no
end in mind, draw us into the harmony-for-which-we-were-made, draw us from
wherever our ashes have been scattered, from whatever mountainside they rest
upon, untended to by all but the Angel Band who’s song this is- angels who are
harmonizing even now, unnoticed and unheard, like frogs and insects lying
dormant under January ground.
It is the same harmony that waits for us in St. Paul’s
Chapel every morning before Morning Prayer, waits for us in the stones from
which this church is constructed, in the weather outside, in our densely
warming planet, and, obscurely, in the
deliberations of political parties.
“O come, angel band,
Come and around me stand…”
Such harmony is physical,
like a grandmother’s embrace. We do not invent
it… we inhabit it, and are borne away
by it, as portable as air.
.
“Bear me away, on your snow white wings.”
Bear us away, bear them all away, the ancestors and friends
and mentors and adversaries. Bear them away, bereft of breath, bereft of flesh,
bereft of all but the harmony and the love.
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